Oriol – Night and Day (2010)

Oriol – Night and Day (2010)







Release date July 19, 2010

An alumni of London’s CD-R club night (where Floating Points cut his teeth), Oriol Sindhji was born in Barcelona, studied music in Boston, and now is based between Cambridge and London.

‘Coconut Coast’ appealed to us on the strength of its summery synths and sun-bleached melodies; the full-length album, titled Night and Day, promises to expand on that aesthetic, “connect[ing] the dots between Oriol’s musical tastes, from the ’70s fusion and experimentation of Herbie Hancock and Stevie Wonder to the lush house of Theo Parrish, Larry Heard and Recloose, into drum and bass and dubstep.”

‘Night and Day’ connects the dots between his musical tastes, from the 70’s fusion and experimentation of Herbie Hancock and Stevie Wonder to the lush house of Theo Parrish, Larry Heard and Recloose, into drum and bass and dubstep, he rewires these influences into something that’s totally exuberant and fresh, a soulful fantasy, indebted to older musical styles but still sounding bang up to date, surpassing any niggles you might have that this isn’t just seriously good music.

Oriol debut album ‘Night And Day’ has the depth of musicality and subtlety of an artist who knows exactly what he wants, and it’s also the perfect summer album.

The facts are these: his real name is Oriol Singhji, and he was born in Barcelona but now lives between London and Cambridge. He’s spent some time in Boston studying music and Oriol’s got musical skills that set him above his peers.

‘Night and Day’ connects the dots between his musical tastes, from the 70’s fusion and experimentation of Herbie Hancock and Stevie Wonder to the lush house of Theo Parrish, Larry Heard and Recloose, into drum and bass and dubstep, he rewires these influences into something that’s totally exuberant and fresh, a soulful fantasy, indebted to older musical styles but still sounding bang up to date, surpassing any niggles you might have that this isn’t just seriously good music.

The album opens with ‘Joy FM’, mixing moog melodies with warm early Detroit techno. The next track ‘Spiral’ builds vox chords against diva vocals and rich talk box harmonies, while ‘Memories’ works up a nervous melody with staccato chords. ‘Jam’ lets things roll out with a loose musicality, irresistible early 80’s soul stylings and big moog synth. ‘The Process’ works broken beats under Philip Glass-like chords and funky keyboards, while ‘Flux’ crosses warm arpeggios with disco beats. ‘Night And Day’ captures the ambience of a party at sunrise at a Tropical destination, bittersweet and beautiful, followed by ‘Fantasy for N’ where beatless layers of electronics create a dreamy mood. ‘LW’ is a graceful mix of Jeff Mills techno energy and stringy disco, while ‘5 Bars’ finishes the album with tough beats and chords mixing it up with ambient atmosphere.

Listening to ‘Night And Day’ is like being given an invite to an off-world utopia, and within time you’ll be grinning from ear to ear, as this is serious fun


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http://www.planet.mu/discography/ZIQ275